- Brush Works Gallery, Salt Lake City, Utah, USA
- Realists 2020, 2021, 2022 Museum Møhlmann, Appingedam, The Netherlands
- Private Exhibition 2021 at my home, Hilversum, The Netherlands
- Warnars & Warnars Art Dealers, Haarlem, The Netherlands
- Affordable Art Fair Amsterdam, Warnars & Warnars Art Dealers, Naarden-Vesting, The Netherlands
- Realists 2019, Museum Møhlmann, Appingedam, The Netherlands
- Art & Antiques Fair 2019, Kasteel Groeneveld, Baarn (McSorley Art Gallery, ‘s-Graveland), The Netherlands
- Warnars & Warnars Kunsthandel, Naarden-Vesting. The Netherlands
- Private Exhibition at my home, Hilversum, The Netherlands
- Realists 2018, Museum Møhlmann, Appingedam, The Netherlands
- Art & Antiques Fair Naarden-Vesting (McSorley Art Gallery, ‘s-Graveland), The Netherlands
- Gallery Het Cleyne Huys, The Hague, The Netherlands
- PAN Amsterdam Art & Antiques Fair 2012, 2013, 2014, 2015, 2017 (Bruijstens Modern Art, Amsterdam), Amsterdam, The Netherlands
- Berliner Liste 2015 (Gallery Ter Beek, Beetsterzwaag), Berlin, Germany
- Art Knokke 2015 (Gallery Ter Beek, Beetsterzwaag), Knokke, Belgium
- Afforable Art Fair Milan (Gallery Ter Beek, Beetsterzwaag), Milan, Italy
- Affordable Art Fair Amsterdam 2014 (Gallery Ter Beek, Beetsterzwaag), The Netherlands
- Heng Artland, Singapore, 30 year Jubilee Exhibition
- 25-Year Jubilee Exhibition 2010, Posthoornkerk, Amsterdam, The Netherlands
- …
- TNO, Apeldoorn, The Netherlands
- ING Collection, Amsterdam, The Netherlands
- SBK Amsterdam, Amsterdam, The Netherlands
- Ministry of Justice, The Hague, The Netherlands
- Friesland Bank Securities, Amsterdam, The Netherlands
- Citibank, Amsterdam, The Netherlands
- OHRA / DeltaLloyd, Amsterdam, The Netherlands
- Private collections national and international
- TABLEAU Fine Arts Magazine, november 2015, “Dubbel Portret”, Annelette Hamming
- TABLEAU Fine Arts Magazine, november 2008, 30/nr 5
- Pulchri, June 1999, 27/nr 33, Ellen de Jong
- Vernissage, June 1999, 6/nr 3
- “Recent Acquisitions of the ING Collection”, 1996
- Kunstbeeld nr 3 / 1995, Maarten Beks
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